Collage + Assemblage Projects

Two sets of works created from April 2020 onward, using cardboard, paper, pencil & paint. These collage and assemblage works were initially made whilst under the Coronavirus lockdown, but the series will continue. Selected pieces from the series are for sale online.

This method of working offers a different physicality; tearing and stripping back reveals layers and boundaries. The physicality of application, scraping back, erasing and forming is at once reductive, additive and organic in nature. Previously discarded materials are combined here with other media to create new possibilities and perspectives. These works create a new dialogue and push the boundaries of traditional art making. This process is a place of subconscious contemplation; these intimate pieces capture moments of beauty that are imperfect, impermanent and incomplete.


Assemblage Works


Collages

The continually shifting space between land and sea echoes the fluidity of the act of painting, erasure and deposit; where I scrape back and lay down material. Tides and time, climate, light and space remain uncertain and fleeting. A heavy storm or a shifting mood changes the scene.

On this Watery Shore (2018–2019) | Mixed media on panel, 84cm x 60cm, sold

A Secret Light (2017–2018) | 35cm x 20.5cm, oil on panel, £350

Silent Tides Turn (2018) | 29.6cm x 20cm, mixed media on panel, sold

Scattered Waters (2018) | 40cm square, acrylic and pastel on panel, £500

Vigilant Spaces (2018) | 30cm square, mixed media on panel, £425

Time & Tide (2018) | 35cm square, mixed media on birch panel, sold

Threshold (2018) | 35cm square, mixed media on panel, sold

Shoreless Day (2019) | 30cm square, acrylic & charcoal on panel, £425

Reaching and Retreating (2018) | 30cm square, acrylic and oil pastel on panel, sold

Pendulum Movement (2018) | 40cm square, mixed media on panel, sold

Desolate Crater (2018) | 30cm square, mixed media on panel, sold

Meeting of the Tides (2018) | 50 x 40cm, mixed media on birch panel, sold

Silent Tides Flow (2019–2020) | 30cm square, mixed media on birch panel, £485

All Things Flowing (2019–2020) | 30cm square, mixed media on birch panel, £485

Shift my Ground (2019) | 30cm x 22cm, pastel & chalk on paper, £265

The Edge of Silence is a liminal space; a threshold between the noises and claims made upon us and a place of subconscious contemplation. These works capture moments of ambiguity where abstraction becomes reminiscent of spaces and places we have inhabited; where the viewer can cross their own thresholds.

April 2018 – Current

Lynda was successful in gaining funding for Tracking Turner from the Visual Arts and Craftmakers Awards: South of Scotland 2017/18 in partnership with Creative Scotland, Live Borders and Dumfries and Galloway Council.

Please contact Lynda for more information on upcoming Turner themed workshops.


This project is a self directed period of artistic development and experimentation working on notions of landscape painting, using JMW Turner’s painting Melrose (1831) as a literal and metaphorical anchor point. The starting point for this project is the physical and geographical link with Turner and the Scottish Borders.

Preliminary Studies | Mixed media on cardboard files (2018)

I have become aware that this landscape has seeped its way into my paintings and drawings; the locale has started to appear unplanned and of its own volition, causing me to consider the historical context within which I now seem to be painting. Recently this was made more tangible during a conversation with a stranger by the river Tweed. He explained that two gnarled hawthorn trees can be seen in Turners painting, ‘Melrose’. These two trees have been daily landmarks for twelve years in my regular wanderings by the Tweed, ten minutes from my studio.

Preliminary Studies | Sketchbooks (2018–2019)


Joseph Mallord William Turner | Melrose (1831) | Watercolour with scraping on paper | More here

Within the life-span of a tree, two painters connect across history. These trees now act as a focal point which roots and locates a sense of place.


 
Come and whisper way your wind 12 x 12cm | Watercolour, ink & art graf on watercolour paper  (2019) £165 framed

Come and whisper way your wind
12 x 12cm | Watercolour, ink & art graf on watercolour paper
(2019) £165 framed

Shadowed Water 150cm x 120cm | Mixed media on canvas | Commission (2019)

Shadowed Water
150cm x 120cm | Mixed media on canvas | Commission
(2019)

Blinkered Sun  35 x 35cm | Mixed media on panel £465

Blinkered Sun
35 x 35cm | Mixed media on panel
£465

 
 

Commissioned Paintings

St Davids, Pembrokeshire, Wales

In early summer of 2018 Lynda was approached by an international architecture & design firm which funds a trust developing historical properties around the area of St Davids in South Wales. The organization was in the process of developing and extending a hotel and in the process of adding original artworks to their extensive collection. The remit for the commission was broad but central to its theme was for the artists to be inspired by the geography, geology, historical settlements, architecture, headlands, coastal cliffs, mythology and the magnificent cathedral of St Davids.

Lynda spent time in the area and embarked upon research and field trips in mid-2018. Early morning mists and diffused light influenced her palette, just as the inland heat-haze and intense afternoon sunlight over the coast heightened her use of colour and emboldened her gestures.

Five days were spent exploring, absorbing, walking, looking, seeing, taking photographs, sketching, interpreting the terrain. Lynda walked to Solva, St Davids Head and explored various coves and historical sites around the area. Once back in the studio in Melrose (Scottish Borders) a period of reflection ensued with the attendant feelings and memories being allowed to percolate and develop into the below paintings. These paintings are reflective of the artist’s physical and emotional experience in the ancient landscape of St Davids.

Small Works by Lynda Marwood
Harbouring 2020 | collage & mixed media on deep 15cm sq. cradled panel, sold

Harbouring 2020 | collage & mixed media on deep 15cm sq. cradled panel, sold

Small scale works and miniatures

This section shows a selection of small works created in recent years. Many of these are part of ongoing projects. Please email Lynda for full details on each piece. Works are in acrylics & oils, mostly on panel and often framed.

Encased 2018 | 23.5cm square | mixed media on panel, sold

Drawing Example

Drawing

This page presents selected drawings and studies: created using pencil, pastel, charcoal, ink and watercolour. Please email for further information or sales.

Framed Example
The process of drawing opens up my practice: loosening and disinhibiting. An intuitive response to materials and the urge to discover directs the media in new directions. Drawing has the appeal of the minimal not necessarily with regards to the image but more the materials. Our ancestors scratched burnt wood on cave walls and still artists smear and scratch charcoal graphite, chalk and pastel across surfaces.

Painting has the luxury of time: days, weeks, months and more, the image emerging slowly out of the layers. Drawing is not afforded such luxury: usually completed in one rush of creativity, time seems compressed onto the page. Drawing is the most spontaneous of the visual arts with its sense of the immediate, it is intrinsically the record of movement in time, built from the history of its own making.

Collage Overview

This method offers a different physicality, tearing and stripping back to construct layers and boundaries. Previously discarded materials combine with other media to create new possibilities; small dwelling like shapes offer an impression of architectural scale.

Collage XIII (2019)



Objects (2019) mixed media collages (verso) from £55

Objects (2019) Mixed media collages (face) from £55


Collages I – X | Mixed media on various card, assorted dimensions

 

Collage XI | Mixed media on card

 
 

Collage XII | Mixed media on card

Collage XIII | Mixed media on card

 
 

 
 

Gravity Pulls (2020) | Collage & mixed media on watercolour paper, 40cm square, £450

 

A Cradled Silence (2019) | Collage on panel, 40cm square, £465

Dissolution of Order (2019) | Collage on panel, 30cm square, £450

 

This Silent Space (2020) | Collage & mixed media on panel, 40cm square, £450